Lost Borders (2024)

from Why Women Went West

for soprano, bass clarinet, piano, and percussion

Video

Commission/Premiere Info:

Program Notes

Lost Borders (2024) is a new work from the final Act of my opera, Why Women Went West which includes the setting of “Silent Friend of Many Distances” (Rilke) originally for baritone voice, choir and ensemble. Based upon Austin’s texts from her book Lost Borders, this work describes her life in California desert -and beyond in New Mexico- the harsh, arid lands form a stark backdrop to the challenges of people who lead life there. The mystical forces which plagued her, and lured her to go West in Act I— reappear with the Bass-Clarinet solo from Owl’s Breath, embedded within the recap of powerful opening ritual materials of the piano and percussion. These lands of lost borders in the deserts of the southwest, still resonate today where life and death, quest for self-reliance, determination for survival in the harshest of conditions is common and yet transcendent.-Pamela Madsen

  • “She called upon the Voice, and the Voice answered—Nothing. She was told to go away. And suddenly there was an answer, a terrifying answer, pushed off, deffered, delayed, an answer impossible to be repeated, an answer still impending. Which I might not live to see confirmed, but hands, suspended over this Country—Mary went away.” (Mary Hunter Austin).

    Let’s have done with stranger faces, Let’s be quit of staring eyes. Let’s go back across the Mojave. Let’s go back across, where the hills of Inyo rise. Let’s go back across the Mojave.

    (Muerto, Muerto). There’s a word we’ve lost we’ll never hear again. Earth, as their own. The earth glady receives the embrace of the sun. The Earth received. And we shall soon see the results of their Love! In the mindless clang of engines where they bray, the hearts of men. All seeds awake, All animal life. (Save me, O Lord, Save me, O Lord). (from Lost Borders by Mary Hunter Austin)

    Silent friend of many distances,

    Feel, how your breath enlarges.

    All vertical space

    Let your presence ring, you ring out like a bell

    Ring into the night

    What feeds upon your face

    Grows mighty from the nourishment thus offered.

    What feeds upon your face grows mightly from the nourishment offered.

    (Move through transformation out and in)

    That you have suffered.

    What is the deepest loss that you have suffered, that you have suffered?

    If drinking is bitter, change yourself to wine.

    In this immeasureable darkness

    Be the power that rounds your senses in their magic ring.

    The sense of their mysterious encounter

    Whisper to the silent earth I’m . . .

    And if the earth no longer knows your name,

    Whisper to the silent earth I’m flowing.

    To the flashing water say: I am. (Rainer Marie Rilke)

Purchase

To purchase the scores and parts, email Pamela Madsen directly at pmadsen@fullerton.edu.

Performances

March 30, 2024 | Brightwork newmusic at Boston Court, Pasadena, CA
March 26, 2024 | Brightwork newmusic in Meng Concert Hall, Cal State Fullerton

Press

“the scoring for just four instruments masterfully supports the complex and changing flow of emotions in the text” — Paul Muller, Sequenza 21